Because Peskine's exhibition symbolizes the reality, this is what the New York Times wrote. "The glass door to the gallery is decorated with the icons used to designate men’s and women’s restrooms and with France’s motto, “Liberté, Égalité, Fraternité.” Just inside is another door made of wood with broken windows that says “Hors Service” (or “Out of Service”). The doors simultaneously evoke Jim Crow-era segregation in the United States and suggest that France is unable to offer liberty, equality and fraternity to all of its citizens, especially those whose parents or grandparents immigrated from former French colonies.
Next is “The French Evolution (Mariam’),” a portrait in profile of a young Senegalese model wearing the red Phrygian cap, an ancient symbol of liberty. The title is a play on Marianne, the official symbol of the French republic depicted in Delacroix’s 1830 “Liberty Leading the People,” and Mariama, a popular Senegalese name. "
Check the full story at http://www.nytimes.com/
The Museum of contempory African Diasporan Arts wrote, "The French Evolution is a solo exhibition by emerging artist Alexis Peskine in which Peskine reflects on the diverse identities that make up France, yet neglected in public perceptions of French culture. Emerging artist Alexis Peskine has created several large-scale images to showcase the intense politics that has been overtaking his native country of France for the past decade. Emigration from Africa and other continents has transformed France into a multi-cultural, multi-ethnic society, through portions of the population have not yet dealt with this changing reality. Peskine’s works reveal an opposing view of La Douce France, a view demonstrating the marginalization of people of color within this country. Through The French Evolution, we hope to expose viewer to another world co-existing within France, but unknown to outsiders." Check the great images of the exhibition at Museum of contempory African Diasporan Arts
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